Posts Tagged ‘gallery’

Zhang Dali, Zhang Dali Chinese Artist, Artist Zhang Dali, Zhang Dali Exhibitions, Zhang Dali Painting’s at Saatchi Gallery, Zhang Dali London Contemp

January 4th, 2010

Zhang Dali was born on 1963 and Born in Harbin, China. Zhang Dali has portrayed 100 immigrant workers in life-size resin sculptures of various postures, with a designated number, the artist’s signature and the work’s title “Chinese Offspring” tattooed onto each of their bodies. They are often hung upside down, indicating the uncertainty of their life and their powerlessness in changing their own fates.

The scrawled profiles of a human head are the work of 18K (aka AK47) – the artist formerly known as Zhang Dali. You wouldn’t notice them in a Western city because the simple drawings would be quickly sprayed over with graffiti done by thousands of other lay abouts, vandals, artists and political groups. 18K was born in Heilongjiang 36 years ago and came to Beijing after middle school to attend the prestigious Central Academy of Art and Design. He majored in traditional Chinese ink-and-brush painting but soon began producing abstract works and experimenting with different materials. In the late 1980s, 18K was the first artist to move to the village near Yuanmingyuan that later became a thriving colony of artists and bohemians until it was closed by Beijing authorities in the early 1990s. In 1988, 18K was one of several artists featured in independent filmmaker Wu Wenguang’s Bumming in Beijing (Liulang Beijin)

In fact, many of 18K’s tags are intentionally placed right next to “chai” characters. Not only is graffiti painted onto walls that will soon be rubble unlikely to stir the police into action, 18K also has artistic reasons for associating his heads with condemned structures: the work is an attempt to engage in a dialogue with Beijing, a city where buildings come down faster than they did in wartime Berlin and London. Like many young people involved in the arts, 18K left Beijing in 1989. He went to Italy where he spent six years living in different cities and working as an artist. On his return to Beijing in 1993 he conceived of his long running graffiti project which he entitles Dialogue because the intention is that the graffiti along with photographs and articles that document and criticize it will together comprise a dialogue about the changing face of Beijing

Selected EXHIBITIONS-

2006

• A Second History curated by Wu Hung, Walsh Gallery, Chicago

2005

• Sublimation curated by Wu Hung, Beijing Commune, China

2004

• Chinese Contemporary Gallery, London

2003

• Galleria Gariboldi, Milan, Italy

2002

• Base Gallery, Tokyo, Japan

Chinese Contemporary Gallery, London

Conclusions:

Zhang Dali has portrayed 100 immigrant workers in life-size resin sculptures of various postures, with a designated number, the artist’s signature and the work’s title “Chinese Offspring” tattooed onto each of their bodies.

What to Do Next. . .

If you want any information about Zhang Huan or looking for his paintings please visit us on http://www. saatchi-gallery. co. uk/artists/zhang_dali. htm

About Artist Stef Driesen Art Work and His Paintings at the Saatchi Gallery

December 31st, 2009

Influenced by the works of Northern European Old Masters, Stef Driesen’s paintings often incorporate references to art history through their colours, compositions, and subject matter. Through this lineage, Driesen draws from his own personal experiences to create beautifully expressive canvases evoking both emotional and physical sensuality. Using his own sexual identity as a platform for investigation, Driesen’s work expands upon the theme of man and nature: each canvas conceals a human form within his abstracted landscapes, creating a symbiosis between the romantic sublime and mortal carnality.

Using a fleshy, earthy palette, Driesen’s canvases blur the bounds between tangible and psychological space. Watery grounds, delicate brushwork, and intensified tones lend a sense of dream-like terrain, translating materiality of paint into ephemeral fields redolent with contemplation, desire, and loss. In their poetic articulation, Driesen’s paintings convey the intimacy of the human condition, rendering it equally fragile and heroic. Watery mountain scapes and dramatic skies frame ambiguously figurative foreground elements. Soft pinks and flashes of azure punctuate dark canvases highlighting rivers through the picture plane and revealing landscapes beyond. Ultimately Stef Driesen’s compositions expand space, opening up an imaginary dimension into a world full of the theatrical and fantastic.

Stef Driesen draws inspiration from the compositions, colour palettes, and themes explored by these Old Masters, and is inspired by the way in which they used all of these elements to project a vision of life in their time, political, religious, romantic or otherwise. Watery mountain scapes and dramatic skies frame ambiguously figurative foreground elements. Soft pinks and flashes of azure punctuate dark canvases highlighting rivers through the picture plane and revealing landscapes beyond. Ultimately Stef Driesen’s compositions expand space, opening up an imaginary dimension into a world full of the theatrical and fantastic.

What to Do Next. . .

If you want any information about Stef Driesen or looking for his paintings please visit us on http://www. saatchi-gallery. co. uk/artists/stef_driesen. htm

Artistic Showdown at Saatchi Gallery

December 30th, 2009

The Saatchi Gallery hosts its artist “Showdown” as a means of promoting and rewarding artists that demonstrate themselves as possessing extraordinary talent. It is also a means of getting popular opinion on the works of these up-and-coming artists. Over a one-week period, Saatchi accepts one piece of art work from each artist that chooses to enter the contest. Submissions are accepted between 9:00 a. m. on Monday until 6:00 p. m. on the following Sunday. Voting then begins, and each visitor to the site is allowed to rate the quality of each piece of work submitted. Visitors may vote on as many pieces as they wish, but are allotted only one vote for each individual piece. They indicate their preference for a particular work by rating it on a scale of one (1) to ten (10). After the scores are tallied, a duel begins between the two artists who have attained the highest scores. These two leaders vie for a chance to enter the final showdown, where the winners of twelve such rounds go head to head for the final prize of £1000 for the winner and £750 for the runner up.

Entrance into this event on the Saatchi website is free and easy, and it holds the promise of furthering the careers of not just the talented winners but also of the wide variety of talented entrants whose works will be seen by Saatchi’s large viewing audience. The competition is also a means of exposing young artists to the triumphs and pitfalls that are likely to attend them throughout their entire artistic career. Therefore, artists not only get the chance to benefit monetarily, but also the chance to develop as a professional businessperson.

Art Schools and Colleges Portfolio at Saatchi Gallery

December 27th, 2009

Saatchi Gallery presents the gallery portfolio, an online application through which students at the primary and the high school levels have the chance to display their work in an environment that will grant them the exposure they need to encourage future artistic endeavours. With this application, teachers or other representatives of the school create a profile for their respective institutions, and these profiles give the schools an opportunity to promote and attract visitors to their physical school premises or to their school’s own art website. Most importantly, the institution’s art department is featured via the presentation of the works of its most talented students.

The students’ works are uploaded along with student profiles and descriptions of the work itself. Descriptions of the school’s artistic achievements and events are also facilitated on their very own page. In addition, the Saatchi Gallery goes to great lengths to encourage these schools and their art students, through the regular hosting of competitions that grant monetary compensation. These rewards are used to equip the art departments of schools whose students show great promise in the visual and/or performing arts. The competitions also endow the winning and runner-up students with funds to facilitate their own artistic efforts.

The Saatchi Portfolio is a valuable resource that grants artistic exposure and benefits to these primary and secondary educational institutions and their students, and even gives some of these young individuals the chance to see their work on physical display at the Saatchi Gallery. Uploading the artwork of the students at your school could grant your department a significant boost in enrolment and student interest. Participating in the Portfolio aspect of Saatchi’s artistic outreach has favourable and tangible benefits that can place the young artistically inclined person on the right track toward a prosperous and fulfilling career in the visual arts.

Art College at Saatchi Gallery

December 26th, 2009

The Saatchi Gallery provides an immense and inestimable resource to the artistic arm of colleges and universities around the world. It offers these institutions the exposure they need to market their students and any artistic (including performance and design) events collaboratively produced by students, faculty, alumni and other university affiliates. The Gallery hosts and facilitates the advertising and marketing efforts of these institutions by allowing representatives to upload the details of the various artistic bodies that exist within the college or university. Schools may also upload the art work of its students to give them vast exposure on the international art scene. Because the Gallery is in fact a central station that provides links to the most popular colleges and universities, your own institution is likely to benefit greatly from the large viewing audience that frequents this area of the site. Not only will you be able to attract viewers to your events, but you will also be able to attract prospective students to your halls.

The Saatchi Gallery resources provided for colleges and universities will quickly become an indispensable part of the institution’s marketing efforts. These institutions’ artistic representatives are encouraged to upload such information that presents the variety of artistic disciplines available for student concentration. Institutions may highlight the achievements and artistic interests/goals of their distinguished faculty. The Gallery also allows for the broadcast of upcoming events and the posting of notices to students, graduates, prospective students and faculty. In addition, it facilitates the solicitation of visits or sponsorship from a sophisticated worldwide Saatchi Gallery audience devoted to aesthetic pursuits. Therefore, colleges and universities are presented with the chance of not only airing their own creativity in the visual and performing arts, but also mining the creativity of the communities of the world to gain students for filling future graduating classes.

Contemporary Chandeliers to Turn your Home Into an Art Gallery

December 26th, 2009

A chandelier as defined by Wikipedia “is a ceiling-mounted fixture with two or more arms bearing lights”. But when one thinks of a chandelier, one usually has in mind the bold and expensive chandeliers adorning the ballrooms of the rich and famous. However contemporary chandeliers are the “in thing” today, as they are not too expensive, come in various designs, and light up the room with a nice ambience.

What really sets contemporary chandeliers apart is the attention to shape, design, and function. In fact, most contemporary chandeliers implement various color schemes and patterns, which help to add a distinct and warm glow to any room. Contemporary chandeliers also feature unique patterns of the lights.

The days of classifying chandeliers as pricey or limited to a certain class are certainly gone. With so many different types of contemporary chandeliers available, we now have the ability to turn our own homes into something of an art gallery. These intimate pieces are sure to give the rooms in your home a different personality, and you are sure to receive admiration from your family and friends.

A contemporary chandelier is sure to give any room in your home a whole new personality; an interior fashion face-lift if you will. Contemporary chandeliers come in different patterns, color schemes, styles and designs, with each one giving a distinct glow to your home.

There are contemporary fibre optic chandeliers which provide the ultimate impact in hallways, stairwells, dining rooms, bedrooms and living spaces. Some of them have as many as 200 sparkling fibre optic tails arranged in four rings and staggered in length.

Some of the contemporary chandeliers have remote control to control the colour wheel to switch from white light to continuous gentle colours. This revolutionary light sculpture is not only unique and dramatic space filler but also boasts therapeutic effects. Unlimited Light – The number one online source for contemporary chandeliers and the most highly regarded fibre optic lighting company, offers contemporary chandeliers which deliver maximum impact in hallways, stairwells, dining rooms, bedrooms and living spaces.

Martina Steckholzer – Paintings – the Saatchi Gallery

December 25th, 2009

Martina Steckholzer uses as a source for her paintings, video footage which she films in exhibition halls, museums, art fairs and artist’s studios – all places where art is seen or made. The filming is sometimes random where she moves the camera around the space without looking through the lens and sometimes more specific when she points the camera at something she finds interesting. In both cases, her purpose is to catch images hidden from our usual gaze – images that could only be seen through the lens of the camera and caught on the still of the video footage. Martina Steckholzer’s paintings offer a poetic ambience suggesting an infinite nothingness of space. Working from video footage filmed in art galleries, air fairs, studios, and museums, she isolates frames that capture the in-between spaces, unusual angles, and overlooked vantages of familiar generic places. Translated into paintings, these images become dislocated into virtual fields: flat canvases projecting abstracted illusions of line, shape, and tone replay the experience of gallery within the gallery, mirroring the hallowed white cube as sublime aesthetic.

After identifying a single frame from the video, she isolates the image and uses it as the basis of the painting. Although she stays with the main structure and image in the video frame, the paintings are never graphic and it is important to her that they maintain a painterly quality. The viewer is left with a feeling of uncertainty and is never quite sure where or how the paintings are made – why are some abstract, some more figurative? In many there are figurative clues alluding to architectural space, such as in, Chromogenic 2005, but the perspective and fragmented space is difficult to identify. In others there are clearer figurative elements such as, Maybe we Should 2005, a painting made from the image of a landscape photograph. These are punctuated by purely abstract images such as Artist’s Body 2005 (from an image of a roll of film). The titles of the works are also from the video footage and taken from text that appears in the film of the space – maybe signs, labels, titles – not always relating to the image in the painting but always appearing in the film from which the image was taken. Martina Steckholzer’s Neon uses only grey hues to further minimalise her architectural subjects; as the recognisable melts away through delicate layers of paint, only the empty inference of space remains. In Neon, Steckholzer uses the malleable quality of her medium to reflect phantasmal tricks of light, her graphic image dissolves into subtle hand-made gestures. Cut through with black forms, Neon gives the sensation of both solidity and weightlessness, creating an ephemeral expressionism from the cold rationality of photographic media.

Promote Eco-Friendly Printing in Your Art Gallery

December 25th, 2009

Ways to Promote an Environmental Campaign with Your Art Products With an art gallery, you have the perfect excuse to promote or voice out any topic or issue. Fighting for a cause such as environmental campaign can be one way to show concern for your community that can very well be promoted through art and print pieces. By planning a full environmental campaign, you can create green concepts with art. Also, by fully furnishing your gallery, you can gain supporters for your cause that can be beneficial for your business. 1. Green Concepts: You can have a display of art pieces on green concepts for your campaign. One way is to create art pieces that revolve around nature like landscape or mountain concepts. This can help set the ambiance for an environmental campaign. 2. Green Tips and Advice in Canvas: With your art pieces, you can relay environmental messages to your visitors such as recycling, global warming issues, and non-biodegradable concerns. With printing options found online, you can print photos on canvas with printers like UPrinting. 3. Eco-Friendly Print Materials: You can create an art piece by building a collage from green printing products. Through this concept, you get to promote eco-friendliness by using recycled materials. 4. Main Display: To fully promote your campaign, you can use window clings for the main campaign caption. You can use this concept as a come-on by having graphics that promote green living or an art piece that resembles such movement. This can attract and inform passersby about what the whole concept of your campaign is. Hosting a party that is fully-themed for an environmental campaign gives a stronger impact to your guests. Also, for your business, this concept can be a good pr stint and can gain you a new set of clientele as well.

Finding the Target Clients for Your Art Gallery

December 24th, 2009

Different Ways to Market Your Art If you own an art gallery and your are just about to start with promotions, one way to directly get your art pieces out to the public is by using your products as your main marketing tools. Along with your promotional strategies, using the right printed materials that go along with art-related concepts add to the success of your start-up. For most, art pieces are good purchases if your products appeal to their taste and need. Although, art pieces that are launched for the first time need an extra amount of effort to promote and to capture an audience. 1. Gallery Launch: One effective way to build your clientele is to bring your prospects to the gallery. Just before you launch your art pieces, you can print posters for your promotions with concepts derived from the items you will be displaying. 2. Print Portfolio: Just like a photographer or graphic designer, a printed material such as a catalog or booklet is suitable to document your art products. By distributing such prints, you not only depend on gallery visitors but get to extend to specific targets also. 3. Host in Movie Launches: Another way to give your art pieces a better display is by having entertainment marketers use your materials in their events. You can offer your pieces to gatherings that fit well with your art concepts. With this, you gain exposure with new clients. To keep your original products safe, you can do poster printing to produce replicas of your art pieces for the display. More ways to promote gives new ways to reach out to a broader clientele. Also, by printing replicas of your art pieces, you double the chances of gaining new clients in cheaper and more convenient ways.

Print Unique and Sophisticated Art Gallery Business Cards

December 24th, 2009

Art galleries bank heavily on good reputation, so make sure your business cards are ready to carry that responsibility! Make Art Gallery Business Cards with Class *Make business cards for the staff, too! Your art gallery will have more personal significance for people if they have staff people’s identities to identify it with. If you want your visitors to see your staff as inseparable from the gallery, then create a design template, have the staff submit their contact details, and print business cards for them that include the gallery’s contact information. *Have a website? Try putting in just your URL. You should make sure, though, that people can tell your URL is an art gallery website, or at least somehow related to art. Otherwise, if they didn’t look up your website soon after they received your business cards, your recipients will be struggling to remember where they got your card from! *Use custom sizes. Try printing your business cards at half the width, or half the height. This way they can still fit in people’s card holders and still be different enough to be noticeable. Besides, people will be impressed at how you did the same job other business cards did at half the real estate! Now -that’s- classy. *Print on card stock you can write on. Want to make some visitors feel special, or give a high-end sponsor the royal treatment? Write them something extra on the back of your business cards for a truly personal touch. You can leave your personal email or contact number, or leave them a personal note they will always remember you well by. *Quality matters! It would be a shame for an art gallery to have less than quality business cards, so make sure you choose the best printing services available. They don’t even have to be expensive; like a real art connoisseur knows, high quality does not always come at a high price!