Posts Tagged ‘Different Materials’

Zhang Dali, Zhang Dali Chinese Artist, Artist Zhang Dali, Zhang Dali Exhibitions, Zhang Dali Painting’s at Saatchi Gallery, Zhang Dali London Contemp

January 4th, 2010

Zhang Dali was born on 1963 and Born in Harbin, China. Zhang Dali has portrayed 100 immigrant workers in life-size resin sculptures of various postures, with a designated number, the artist’s signature and the work’s title “Chinese Offspring” tattooed onto each of their bodies. They are often hung upside down, indicating the uncertainty of their life and their powerlessness in changing their own fates.

The scrawled profiles of a human head are the work of 18K (aka AK47) – the artist formerly known as Zhang Dali. You wouldn’t notice them in a Western city because the simple drawings would be quickly sprayed over with graffiti done by thousands of other lay abouts, vandals, artists and political groups. 18K was born in Heilongjiang 36 years ago and came to Beijing after middle school to attend the prestigious Central Academy of Art and Design. He majored in traditional Chinese ink-and-brush painting but soon began producing abstract works and experimenting with different materials. In the late 1980s, 18K was the first artist to move to the village near Yuanmingyuan that later became a thriving colony of artists and bohemians until it was closed by Beijing authorities in the early 1990s. In 1988, 18K was one of several artists featured in independent filmmaker Wu Wenguang’s Bumming in Beijing (Liulang Beijin)

In fact, many of 18K’s tags are intentionally placed right next to “chai” characters. Not only is graffiti painted onto walls that will soon be rubble unlikely to stir the police into action, 18K also has artistic reasons for associating his heads with condemned structures: the work is an attempt to engage in a dialogue with Beijing, a city where buildings come down faster than they did in wartime Berlin and London. Like many young people involved in the arts, 18K left Beijing in 1989. He went to Italy where he spent six years living in different cities and working as an artist. On his return to Beijing in 1993 he conceived of his long running graffiti project which he entitles Dialogue because the intention is that the graffiti along with photographs and articles that document and criticize it will together comprise a dialogue about the changing face of Beijing

Selected EXHIBITIONS-

2006

• A Second History curated by Wu Hung, Walsh Gallery, Chicago

2005

• Sublimation curated by Wu Hung, Beijing Commune, China

2004

• Chinese Contemporary Gallery, London

2003

• Galleria Gariboldi, Milan, Italy

2002

• Base Gallery, Tokyo, Japan

Chinese Contemporary Gallery, London

Conclusions:

Zhang Dali has portrayed 100 immigrant workers in life-size resin sculptures of various postures, with a designated number, the artist’s signature and the work’s title “Chinese Offspring” tattooed onto each of their bodies.

What to Do Next. . .

If you want any information about Zhang Huan or looking for his paintings please visit us on http://www. saatchi-gallery. co. uk/artists/zhang_dali. htm

Maurizio Cattelan Exhibitions and Paintings at Saatchi-gallery

September 14th, 2009

Maurizio Cattelan was born on 1960 in Padua, Italy. Maurizio Cattelan’s art often combines sculpture and performance. Maurizio Cattelan has a subtle sense of the paradoxes of transgression, the limits of tolerance. Since the early 1990s, his work has provoked and challenged the limits of contemporary value systems through its use of irony and humor. He teases the art world without ever falling into the naive trap of thinking he can subvert a system of which he is part.

The characters and personas inhabiting Maurizio Cattelan’s world are ghostly appearances in a personal theatre of the absurd: policemen flipped upside down, stuffed animals hanging from the ceiling, a swami who buried himself in sand

for hours at a time…suspended between reality and fiction, Maurizio Cattelan’s work simulates and subverts the rules of culture and society in a continuous game of detournement, acts of insubordination and symbolical theft.

Constantly exploring different materials, contexts and strategies, he refuses to take any moral or ideological position, concentrating instead on reproducing reality in all its complexities. While he does not offer solutions, he shows that one can survive and use the system without being consumed by it.

Maurizio Cattelan Jokes and pranks are common in art but what makes Maurizio Cattelan special is that his are funny. Funny peculiar and funny ha-ha. Cattelan is a knowing and sophisticated artist who teases the art world without ever falling into the naive trap of thinking he can subvert a system of which he is part. He specialises not in Dadaist aggression but in slight shifts of reality that are a bit pathetic, a bit embarrassing, a bit silly. In 1994 he persuaded his Paris dealer Emmanuel Perrotin to spend a month dressed as a giant pink phallus. Errotin Le Vrai Lapin was striking precisely because it was so ludicrous: aggressive anti-art gestures and extreme acts have long since been accommodated into commercial art dealing, but to have a dealer make a fool of himself goes some way beyond the call of duty, and of chic.

Born in Padua, Italy, in 1960, Cattelan did not attend art school but taught himself. Cattelan brought his bad taste to New York’s Museum of Modern Art when, in 1998, he arranged for an actor in an over-sized cartoon Pablo Picasso mask to meet and greet visitors. Cattelan said he was satirising the postmodern museum and its similarity to a high-cultural Disneyland. He was impressed MoMA put up with such a cruel joke against itself.

SOLO EXHIBITIONS



1999



• Kunsthalle Basel, Basel, Switzerland

1998

• Institute of Visual Arts (INOVA), Milwaukee, Wisconsin

• Project #65, The Museum of Modern Art, New York, New York

1997

• Castello di Rivoli, Turin, Italy

• Le Consortium, Dijon, France

• Wiener Secession, Vienna, Austria

• Espace Jules Verne, Centre d’Art de Bretigny-sur-Orge, France

1992

• Edizioni dell’Obbligo, Juliet, Trieste, Italy

1990

• Strategie, Galleria Neon, Bologna, Italy; Studio Oggetto, Milan, Italy; Leonardi V-Idea, Genoa, Italy

GROUP EXHIBITIONS

1995



• Photomontage, Le Consortium, Dijon, France

• Kwangju Biennial, Kwangju, Korea

• Caravanserraglio, Ex Aurum, Pescara, Italy

• Le Labyrinthe Moral, Le Consortium, Dijon, France

• La Collezione, Castello di Rivoli, Turin, Italy

1994

• Soggetto Soggetto, Castello di Rivoli, Turin, Italy

• Prima Linea, Flash Art Museum, Trevi, Italy

• L’hiver de l’amour, ARC/Musée d’Art Moderne de la Ville de Paris, Paris, France; P.S.1/Institute for Art and Urban • Resources, Long Island City, New York

1993

• Hôtel Carlton Palace, Chambre 763, Paris, France

• Documentario, Spazio Opos, Milan, Italy

• Nachtshattengewächse, Museum Fridericianum, Kassel, Germany

• Aperto 93, Venice Biennial, Venice, Italy

1992

• Ottovolante, Museo d’Arte Contemporanea, Bergamo, Italy

• Una Domenica a Rivara, Castello di Rivara, Rivara, Italy

1991



• Loro, Castello Visconteo, Trezzo, Italy

• Anni 90, Galleria d’Arte Moderna , Bologna, Italy

• Operazione S.Giustino, Milan, Italy

• Siamo qui e stiamo facendo, Communie di Castellafiume, Italy

1990

• Existenz Maximum, Instituto degli innocenti, Florence, Italy

• Improvvisazione libera, Museo Pecci, Prato, Italy

• Ipotesi d’arte giovane, Faqbbrica del vapore, Milan, Italy

Conclusions:

Maurizio Cattelan’s art often combines sculpture and performance. Maurizio Cattelan has a subtle sense of the paradoxes of transgression, the limits of tolerance. Since the early 1990s, his work has provoked and challenged the limits of contemporary value systems through its use of irony and humor. He teases the art world without ever falling into the naive trap of thinking he can subvert a system of which he is part.

What to Do Next…

If you want any information about Maurizio Cattelan or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/maurizio_cattelan.htm




By: Saatchi-gallery