Posts Tagged ‘Art Scene’

Art Museums at Saatchi Gallery

December 21st, 2009

The Saatchi Gallery is an indispensable resource to Museum directors and art enthusiasts who seek to keep their fingers on the pulse of the contemporary art scene. The online gallery provides a hub that links to a large number of the most popular and prolific museums around the world. Because of the site’s popularity with viewers who possess deep interest in the visual and fine arts, Museum directors find this resource to be an invaluable marketing tool for garnering visits to their own sites. The Saatchi Gallery allows museum directors and curators to upload information about their site and even grants linking privileges to these museums. Therefore, the extensive community of persons who frequent the Saatchi Gallery immediately become prospective patrons of your own museum.

Your museum will be listed with some of the greatest and most well respected museums in the business, such as the Museum of Modern Art in New York City (MoMA), the Musée du Louvre in Paris, and Tate Modern in London. Your museum will also benefit from the peripheral amenities that the Saatchi Gallery offers, such as the opportunity to set up guided tours and to facilitate school visits to your museum. It also grants you the ability to solicit sponsorship from a worldwide viewing audience, as well as hire your premises out as a venue for special events. In addition, the site facilitates the hosting of specific content detailing your museum’s history, upcoming events, business hours, and allows you to give detailed directions to the location of your establishment. It also facilitates the uploading of pictures, brochures, and other marketing tools so that your museum will be properly represented in all its dimensions. In essence, this service is one that grants your museum worldwide exposure to a local and international audience.




By: Saatchi Gallery

Art Galleries

December 7th, 2009

The resource that the Saatchi Gallery provides to other art galleries around the world is invaluable. To those who own galleries and are highly interested in the contemporary art scene, the Saatchi Gallery provides the exposure and the information necessary to create and maintain a high profile gallery. Rather than compete with galleries around the world, Saatchi collaborates with them to provide them with international recognition on the global art market. The gallery allows other gallery directors to provide information about their art shop on the Saatchi website and also to provide links to their galleries via the Saatchi website. Since Saatchi caters to a growing international viewing audience of potentially millions of persons, all those viewers immediately become potential clients of the galleries that choose to be hosted on the Saatchi site.

Saatchi hosts links to the most prestigious galleries around the world, and facilitates the creation of sub-galleries for schools, colleges, and other artistic institutions. In fact, it caters to a wide variety of schools (primary to university level) and to the public at large, so that its collection is the largest available on the internet. Being a gallery itself, Saatchi also hosts the works of individual artists. The Stuart Museum, for instance, is a gallery hosted under the aegis of the Saatchi brand, which houses the work of students and recent graduates of artistic colleges and universities. Plus, Saatchi takes it one step further than brick-and-mortar art galleries by allowing artists to sell their work online free of commission. The gallery is therefore a large and all-inclusive contemporary art hub that provides the viewing public with a link to the widest variety of art and art galleries that currently exists on the internet.

About Li Qing – a Chinese Artist

December 6th, 2009

Li Qing was born on 1981 in Huzhou, Zhejiang province, China. He is a graduate student at China Academy of Art and one of the representatives of this new generation. Over the last few years his art has been included many important exhibitions and rewarded several grants and awards, due to his excellence of performance – the mastery of refined and personal technique, the wide social concerns, and the appropriate representation. Executed in the very traditional medium of oil on canvas, the generally mid-size paintings are usually paired pictures.

In Li Qing’s work juxtaposition usually occurs between two similar subject matters or scenes but in difference chronologically. The tension or relation between the two is usually the resource of concept of the work. In China’s art scene the juxtaposition of old and new, which reflects the remarkable social transition taking place over the last three decades, was/is popular. As the method exactly reflects the current identity of Chinese people who are surrounded by consistent remarkable transitions in a territory where old and new are mixed. The pairs of picture are seemingly the successive snapshots capturing the two moments of a seemingly consecutive event, a body, a face, a place, an object, or a person. There is very little difference between the two pictures at first sight, and there are several minor distinctions between two upon a careful scrutiny.

Li Qing is making a simple and easily accessible visual world where audience may exchange idea and share a common feeling. Many of the prototypes of contemporary Chinese art were heavy in their subject matter in order to express artists’ negative attitude towards the current corruptive system. Li Qing successfully presents a magic pictorial series of contemporary Chinese art. Simultaneously, psychological complexity toward the remarkable social transitions of China is easily understood. His art is a visual game but entwined with social information that reflects the vicissitudes of the society. The subject matter is ordinary, and unnoticed, some are like news photo for a propaganda purpose. He presents a picture that combine with images and reality. Grand rhetoric and heavy theme are non-exist. Li Qing is more interested with an ordinary scene that affects our perception to the world. Li Qing is a great practitioner of oil painter. With his bold brush stroke, exact impasto, and, he smartly turns the visual games and subject matter into his own painterly game, a pictorial world that reflects changing reality.

Selected EXHIBITIONS:

2006

• See the luck when raise head, Hangzhou 2006 Contemporary Art Exhibition, Hangzhou, China See the luck when open the door, Wuxi Contemporary Art Exhibition tour, Wuxi, China

• Body on the Site, The Third Beijing International Gallery Exposition,Beijing, China

• Tu Hongtao, Li Qing two persons’ show, Line Gallery, Yan Huang Museum,Beijing,china

• 10+10, Shanghai Zendai Museum of Modern Art, Shanghai, China Chinese contemporary Paintings, Nanjing Square Gallery of Contemporary Art, Nanjing, China.

2005

• Double reading photography exhibition, Hangzhou, China

• Let some ideas be seen, Modern art gallery of Art Academy of Hangzhou Teachers University, Hangzhou, China

• The spring of Vizcaya exhibition of paintings and sculptures of Chinese and French artists, Shanghai, China

• Archaeology of the Future, the second triennial of Chinese art, Nanjing Museum, Nanjing, China

• Rule-Possible young artists exhibition, Zhejiang exhibition centre,Hangzhhou, China

• First China Green Exhibition Exploration, Ag-Art Loft, Hangzhou,China Young Chinese Contemporary Art, Hangar-7, Salzburg, Austria

• 2005 Zhejiang Oil-painting exhibition & awarded the Gold Prize, Ningbo Art Museum, Ningbo, China

• It’s true, The Artistic Island, Beijing, China

2004

• Concrete, Hangzhou, China

• Art Shanghai 2004-Exhibition of works of young artists in China Academy of Art, International exhibition centre, Shanghai, China

• Layer after layer contemporary painting in Shanghai in Zhejiang art exhibition, Zhejiang exhibition centre, Hangzhou, China

2002

• Do we need to rebuild a Leifeng Tower? China Academy of Art, Hangzhou, China

Awarded Wu Fuzhi Prize

Conclusions:

Li Qing is among those group younger artists. Their emergence in the art scene will be symbolic to Chinese art world and the entire society at large. For the artist his visual game is perhaps a play of pigment and stroke, but his audience there is something significant behind the game.

What to Do Next…

If you want any information about Li Qing or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/li_qing.htm




By: Saatchi-gallery

Vietnamese Art Galleries – the Epicenter of Vietnamese Art

October 23rd, 2009

Vietnamese modern art is a rising force in the world of fine arts. And Vietnamese art galleries have played, and are still playing, a major role in this new surge of international enthusiasm around Vietnamese art. Let’s take a closer look at the immense contribution of Vietnamese art galleries to the widespread popularity of Vietnamese modern art.

The genesis of the current popularity of Vietnamese art can be traced back to the beginning of the last decade of the last century. It is during this time that Vietnamese art in general and contemporary Vietnamese art in particular have started to emerge from a state of virtually no recognition and anonymity to have its say on the world’s art scene. For long, scholars and researchers from the Occident were prone to dismiss Vietnamese culture as a wan replica of Chinese or a mishmash of French-Chinese-Indian cultures. That Vietnam owes much to those great civilizations is undeniable, but it in no way means that Vietnamese culture is a mere product of mimicry. It is safe to say that what has enabled Vietnam to survive as a nation through an aggregate thousand-odd years of foreign domination is that she has known how to digest foreign influences and incorporate their quintessence into her own culture.

It is not surprising then that Vietnamese modern art today exhibits a happy knack of mixing Western techniques with a rich traditional sensibility. Thematically, Vietnamese modern art has stayed close to the nation’s tradition and cultural heritage, drawing inspiration from local festivals, age-old traditions, peasant life and other local variety. In these days, when people are speaking of an identity crisis in Asian art, Vietnamese art has become a center of attraction. Indeed, Vietnamese art works in the last decade have been increasingly sought after by foreign collectors and art lovers. Exhibitions of contemporary Vietnamese art are being organized in Hong Kong, Singapore, Japan, Australia, France, Germany, Great Britain, Belgium, Switzerland, Sweden, Norway, Denmark, Holland, USA, Argentina and more.

A Vietnamese art gallery is probably the best place to get acquainted with this new école. In most parts of the art world, the life of an artist tends to revolve around art galleries. Vietnamese art galleries are no exception. Recognition comes easy for an artist if he or she succeeds in displaying a work in a reputed gallery. This simple philosophy has led to the fervent populating of many Vietnamese art galleries with the best samples from one’s repertoire.

The owner of a reputed Vietnamese art gallery often plays a significant role in launching and promoting artists. He may weave engrossing, mostly fictional but sometimes true stories around them. Seasoned art lovers, however, will usually look past the hype, negotiate hard and sometimes get very good prices by going directly to the artists.

One can easily conclude that art is big business in Vietnam. Fine Arts have found an all new commercial lease of life. Vietnamese art gallery owners today talk of selling individual works for tens of thousands of dollars, and some are financing frequent trips to the United States, Europe, and Asian cities such as Hong Kong, Singapore and Tokyo. Paintings that sold for less than $50 even ten years ago, are now fetching more than $50,000.

Aroma DD Art Gallery, Suffusive Art Gallery, Apricot Gallery, Doai Gallery, Dong Phong Gallery, Green Palm Gallery, Hanoi Studio, Mai Gallery – there’s no dearth of galleries in Vietnam today. If you want to have a first hand experience of Vietnamese modern art, there is just one place to head for – Vietnamese art galleries.




By: Simon Churchgate